NEWS

SEPTEMBER 2016. I am very pleased to announce a new collaboration with TWYLA - Limited Edition Contemporary Art in partnership with Google Ventures. this new large scale print series will be released the 7th of October 2016. Stay tuned and explore a few close-up...

SEPTEMBER 2016. I am very pleased to announce a new collaboration with TWYLA - Limited Edition Contemporary Art in partnership with Google Ventures. this new large scale print series will be released the 7th of October 2016. Stay tuned and explore a few close-up...

"UNLADYLIKE". Since June 2016 I have been working on the production of the artwork - drawings and animations - for a documentary film about Bessie Coleman, the first African-American woman pilot. This video is part of a large multimedia series called Unladylike created and helmed by film maker Charlotte Mangin, which will launch in 2018 in celebration of the 100th anniversary of women's suffrage.

"UNLADYLIKE". Since June 2016 I have been working on the production of the artwork - drawings and animations - for a documentary film about Bessie Coleman, the first African-American woman pilot. This video is part of a large multimedia series called Unladylike created and helmed by film maker Charlotte Mangin, which will launch in 2018 in celebration of the 100th anniversary of women's suffrage.

ART NEW YORK PIER 94. I am Very Pleased to show a new series of sculptures with Linz Gallery (Paris 3ème) From May 14 to May17 2016. PIER 94. New York.

ART NEW YORK PIER 94. I am Very Pleased to show a new series of sculptures with Linz Gallery (Paris 3ème) From May 14 to May17 2016. PIER 94. New York.

"Double Portrait And a Fourth Hand" Solo exhibition at the Aldrich Contemporary Art Museum, CT. March - August 2013 Double Portraits and a Fourth Hand - The drawings of Amelie Chabannes explore extreme dependency between individuals, and how these relationships blur and destroy individual identity. Working with well-known couples from the art world—including Oskar Kokoschka and his lover Alma Mahler, artists Marina Abramovic and Ulay, and musician, poet, and performance artist Genesis P-Orridge and Lady Jaye—Chabannes fuses their individual images, and hence their relationships, through an obsessive, overlapping drawing technique that emphasizes both psychological and artistic obsession. For her first solo museum exhibition, Chabannes will complete two large, site-specific wall drawings that will involve cutting into the Museum's walls. This exhibition is curated by Aldrich exhibitions director Richard Klein.

"Double Portrait And a Fourth Hand" Solo exhibition at the Aldrich Contemporary Art Museum, CT. March - August 2013 Double Portraits and a Fourth Hand - The drawings of Amelie Chabannes explore extreme dependency between individuals, and how these relationships blur and destroy individual identity. Working with well-known couples from the art world—including Oskar Kokoschka and his lover Alma Mahler, artists Marina Abramovic and Ulay, and musician, poet, and performance artist Genesis P-Orridge and Lady Jaye—Chabannes fuses their individual images, and hence their relationships, through an obsessive, overlapping drawing technique that emphasizes both psychological and artistic obsession. For her first solo museum exhibition, Chabannes will complete two large, site-specific wall drawings that will involve cutting into the Museum's walls. This exhibition is curated by Aldrich exhibitions director Richard Klein.

"Closely followed..." 2013 - 2015. A series of short films by Maceo Bishop.

"Closely followed..." 2013 - 2015. A series of short films by Maceo Bishop.

"...And Greasy Luck To Whalers". A Solo Exhibition at Drawing NOW. Carreau du Temple. Paris, France. March 26 to 30 2014.

"...And Greasy Luck To Whalers". A Solo Exhibition at Drawing NOW. Carreau du Temple. Paris, France. March 26 to 30 2014.

MIAMI PROJECT. Thomas Von Lintel Gallery (Los Angeles). December 2014

MIAMI PROJECT. Thomas Von Lintel Gallery (Los Angeles). December 2014

"Middle Gate Geel ‘13" Curated by Jan Hoet. Geel Belgium. Gasthuismuseum St.-Dimpna September 28 - January 22 2013 MIDDLE GATE GEEL 13' tries to come to grips with the complex and multi-layered interaction between myths, psychiatry and the arts. Rather than pinpointing the differences, the exhibition undertakes to reveal the connections and links, commonplaces and parallels of these phenomena. The historic and present-day context of the city of Geel, world-famous for its unique psychiatric care system based on home nursing, adds an extra dimension to this exhibition, so much so that the interaction between Geel and this exhibition will be palpable and visible in every aspect.

"Middle Gate Geel ‘13" Curated by Jan Hoet. Geel Belgium. Gasthuismuseum St.-Dimpna
September 28 - January 22 2013

MIDDLE GATE GEEL 13' tries to come to grips with the complex and multi-layered interaction between myths, psychiatry and the arts. Rather than pinpointing the differences, the exhibition undertakes to reveal the connections and links, commonplaces and parallels of these phenomena.
The historic and present-day context of the city of Geel, world-famous for its unique psychiatric care system based on home nursing, adds an extra dimension to this exhibition, so much so that the interaction between Geel and this exhibition will be palpable and visible in every aspect.

"Prelude..." 2012-2013. Multiple-screen video installation. Amelie Chabannes and Antonia Dias Leite. “Prelude” is the first act of a collaboration series between Antonia Dias Leite and Amelie Chabannes composed of multi-channel video installations recalling moving panoramas from the 19th century. The project investigates glacial landscapes as a metaphor for the individual and the cyclical states of its subconscious, as well as the process and practice involving collaboration work.

"Prelude..." 2012-2013. Multiple-screen video installation. Amelie Chabannes and Antonia Dias Leite.

“Prelude” is the first act of a collaboration series between Antonia Dias Leite and Amelie Chabannes composed of multi-channel video installations recalling moving panoramas from the 19th century. The project investigates glacial landscapes as a metaphor for the individual and the cyclical states of its subconscious, as well as the process and practice involving collaboration work.